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Friday 24 February 2017

The Childhood Music Classes

Circa 1991. There was a huge influx of my neighbourhood friends and my maternal cousins towards the mushrooming music hobby classes jutting up from here and there. My mother, too, wanted to engage me in a suitable hobby class after my drastic failure in growing interest in Kathak or other dance forms. The lady who taught me kathak for 1 month was indeed a very sincere teacher, but what is sincerity in front of an unwilling horse! The proverb says: You can take a horse to the water, but cannot make him drink. So, I was that unwilling horse.

Maa, in one of her regular visits to Kolkata (then Calcutta), bought an harmonium and brought that straight to Durgapur. She had the notion that I had a beautiful voice (that notion was limited to her and my music teacher only, I feel) and I must start taking music lessons. Buying a harmonium during those years was not a matter of joke. She diligently saved her hard earned money for this. So, hence started my music lessons.

I used to go to my music teacher's house on Thursdays. She started teaching me the basic 'Sargams', then Hindustani or North Indian gharana of classical ragas. The first Raga which I learnt was "Yaman" or "Iman" as called in Bengali. I loved the chota khayal which started with "Piya ke nazariya........"  I won't lie to you all. I tried to learn
very sincerely and obediently whatever she taught. Till here, it was pretty fine going and smooth. But things took a different turn when the colleagues of my parents visited occasionally to our house and asked me to sing. They hoped that their words of appreciation would encourage me. But, as I told you, I was and am a different fellow altogether. I could not tell them that I won't sing in front of them, but to stop them asking me, I devised a new plan. I willingly drank cold water or get drenched in rain (the activities which were a strict no-no for me as I suffered from Sinusitis), so that I can catch cold and not sing.

My teacher advised me to do daily "Riyaz" or practice so that my voice modulation improves with time. Now, that is very obvious for a student of hardcore classical music as you have to do aalaps half the time you sing. But again, I had a defiant trait of not heeding to anybody's advise. I stopped doing "Riyaz". The only day and time I would start playing the harmonium and sing was the Thursday afternoon before going to the music class. Actually, this defiance came from the fact that I did not have the quality of perseverance. I don't like practicing same thing again and again till I get it correct. Inspite of all these, when I was about to grow the interest back in learning music, I suffered a major setback from the Tabla classes. The person who played the Tabla, when I sang, was a very strict person. A wrong turn and pick up in the rhythm, and he would start bashing. Even my parents never scolded me in the way he did. In one of the occasions, when I was studying in class 10 (1999-2000), he started scolding me for a silly yet a major mistake in a "Tritaal" based song. He demanded an explanation about why I didn't practice the song properly and strongly stated that I had a bleak future in academics. This statement made me seethe with anger. I, however, never answered him back. My outside appearance was quite cool when I left my music teacher's house and came back home. I silently cried, suffered this humiliation and took the pledge of not going to music classes again. I shunned the harmonium too and was on the verge of throwing or locking away the music note books. My parents and my teacher literally pleaded me to start learning again. They claimed that I was wasting my voice. But, I did not pay heed to them.

Presently,  I started to realize what I have lost. I want to sing again, but my voice wouldn't support me. I had tortured my voice a lot with repeated shoutings demanded by my teaching profession. I caught hypothyroidism due to life's stresses which have totally destroyed the tonal quality of my voice. My harmonium is still locked in our Durgapur house with the music note books and notation books bearing a sole testimony to my vocal music lessons. And, my ever encouraging parents, have travelled to their new abode probably somewhere upwards. But, still, I again want to sing. I want to sing with the badly damaged hoarse voice. I want to sing with the voice possessing a funny vocal range. My teacher taught me some beautifully melodious songs but I was quite obstinate to not realise what I was losing when there was still time to salvage the tonal quality of my voice. She tried hard yet she failed to instill in me the love for music. It was not her failure, but the failure was mine, solely. I visit her occasionally. We share a strong bond, yet, I feel that I would never have the guts to own up my mistakes. I have already paid for my mistakes with the part of my struggling life where there were no songs I could sing to ease out my journey through the struggles. 

A Day of Stolen Freedom

We could visit two fairs organised in Durgapur on the occasion of Rathayatra if our parents permitted us to go and gave us some money to spend on. My parents were very strict on these matters, and  never allowed me to visit the "Rath-er Mela of Chitralaya". They feared that of all kids, I would be the only one to get possibly kidnapped by a gang of kidnappers or "Cheledhoras" as we call them in Bengali. Their apprehensions made me a regular visitor in "Mamra Bazar's Rather Mela", the poor cousin of the one which took place at the Chitralaya ground. Nothing in that "Mamra Rather Mela" could excite me; the 'Rath' was a small one, the fair ground was quite small and the delicacies offered to please one's taste buds were also minimal. I used sadly accompany my parents with the sole hope of getting atleast hot "Jilipis" to eat as I was not allowed to taste the "Phuchkas". My father never failed to surprise us with buying some "Papad Bhajas" though. He believed that Rather Mela and Papad Bhajas are very very synonymous. So, this saga went on and like every dog which has its day, I too, got a chance to visit the "Chitralaya Rath-er Mela". I took admission in a reputed inter-college to pursue my +2 studies, and this college was a walking distance from the fair-ground. The classes started in the month of July and Rathayatra day also came nearer. I was super-excited of visiting the fair with my classmates and I had to lie to my over-protective Ma that I will be late due to practical classes. So, with all these preparations, I went to the fair managing to save some pocket money so that I could eat whatever my heart and eyes desired. But, as I entered the fair, I got dazed with its artificial grandeur. Too many stalls, too many people, too many rides and the new-found freedom took a toll on me. I could not decide what to do with my hard-earned freedom and the stingily saved pocket money. Every stall lured me to buy whatever they offered, every food stall lured me to eat whatever food they sold; there were at least 10 phuchkawala in my vicinity; I stayed unmoving. I started missing my "Mamra Rath-er Mela" suddenly. I started missing the restricted visits to the fair with my parents suddenly and I suddenly wanted to run away from the Mela ground. I quickly made up an excuse to my accompanying friends and ran to the bus-stop. I took the immediate bus to my home. As my home came nearer, I felt more relieved.  
I realized that day, that with freedom comes great responsibility and if I ever want freedom I should be able to decide judiciously as to what to do with the freedom without killing my conscience and gut-feeling.